Child-prodigy status is sometimes difficult to overcome upon reaching maturity. Not so for Lucky Peterson -- he's far bigger (in more ways than one) on the contemporary blues circuit than he was at the precocious age of six, when he scored a national R&B hit with the Willie Dixon-produced "1-2-3-4."

Little Lucky Peterson was lucky to be born into a musical family. His dad, James Peterson, owned the Governor's Inn, a popular Buffalo, NY, blues nightclub that booked the biggies: Jimmy Reed, Muddy Waters, Bill Doggett. The latter's mighty Hammond B-3 organ fascinated the four-and-a-half-year-old lad, and soon Peterson was on his way under Dixon's tutelage. "1-2-3-4" got Peterson on The Tonight Show and The Ed Sullivan Show, but he didn't rest on his laurels -- he was doubling on guitar at age eight, and at 17, he signed on as Little Milton's keyboardist for three years.

A three-year stint with Bobby Bland preceded Peterson's solo career launch, which took off when he struck up a musical relationship with Florida-based producer Bob Greenlee. Two Greenlee-produced albums for Alligator, 1989's Lucky Strikes! and the following year's Triple Play, remain his finest recorded offerings. Extensive session work behind everyone from Etta James and Kenny Neal to Otis Rush also commenced during this period.

In 1992, Peterson's first Verve label album, I'm Ready, found him boldly mixing contemporary rock and soul into his simmering blues stew. More high-energy Verve sets followed, making it clear that Peterson's luck remains high (as does his father's, who's fashioned his own career as a bluesman with albums for Ichiban and Waldoxy). Lucky made his debut for new label Blue Thumb with a self-titled effort released in 1999. Double Dealin' followed in early 2001.